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Outdoor

2020
Loggia Aldobrandini
2018 / ongoing
A rural landscape
2013 / ongoing
- Selected

Indoor
2024
- On Site
2023
Roma Tropicale
2021
- Voliera in rovina

Exhibitions — 
2020
 - Quadrature
2019
Sala del Capriccio
2018
- Unfolding Pavilion
2016 - 17
- INNESTI | Graftings 

Ideas & Competitions 
2019
- Back to the Autogrill
2018-20
- B.
2018
- It’s like it has always
been there

- I am a (real) monument!
2017
- An imaginary facade
- Ferrara utopica
- Art-Stop Monti
-Triangolar Vortex

2016
- Two Lamps
- Existenszminimum for
an Art Studio


Commissioned —
2024
- Apparato Festivo: Sorgente
2023
- BassoRilievo
2021
- Scenografia di Frammenti
2020
- Portale Effimero
2018
- Monument à Torcy

Festivals & Residencies —
2022
- OHR
2017
Premio Antonio Giordano
2016
Art-On Cascina
2015
BoCS Art

Collaborations —
2016-19
- Metaphora

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About 
ROBOCOOP is an experimental and research art duo project with a background in architecture, currently living between Rome and London.  

Mark

Roma Tropicale


© ROBOCOOP


MAXXI - Museo Nazionale delle Arti del XXI Secolo / Rome, IT
IED Factory - 5th of April, 2023


Roma Tropicale

Promoted by: IED Roma

Appointed by IED Roma to curate a one-week workshop with the students on imagining of the future of Rome in 50 years, we have addressed the participants on the following questions and issues:

What are the specific characteristics of Rome's naturalistic identity? What are the images that compose it? Which of these characteristics will remain in the future evolution of the city? And therefore, what is the intrinsic, intimate, naturalness of Rome?

© ROBOCOOP

We have noticed that, at the current time, evident manifestations of climate changes, such as tropical temperatures, are affecting and changing the perception of the urban vegetation in Rome. Over time, the city has become populated with non-native natural species, extraneous to the typical Mediterranean landscape: small pieces of exotic nature articulate the urban space and provide, as in a montage, the image of a city, Rome, that is also tropical.



© ROBOCOOP

The relationship between the infesting tropical image of these species and the classical architecture of the city reactivates the romantic and decadent sense of sublime and picturesque vision of the Eternal City that Piranesi depicted through his Roman capriccios in the XVIII century.
This unseen threshold between spontaneous naturality and constrained urbanity still lies there in Rome, and it opens a range of possibilities for the future vision of the city.
The workshop aimed at triggering the students to imagine the physical and mental vegetal experience of Rome - where the historical urban fabric melts with the natural presence - wherever spontaneous or domesticated.


© ROBOCOOP

During the workshop, the students collected exotic references and natural picturesque episodes, aiming to investigate how natural traces and attitudes of the Eternal City interactwith the historical and architectural foreground, and they have reinterpreted those with a montage-led approach and image-making process.

Villa di Livia (Drusilla) © Museo Nazionale Romano - Palazzo Massimo 

The installation interprets a future way of experiencing, within the domestic space, the encounter of the inhabited space with nature and celebrating it in the same way the ancient Romans did within their frescoed domus. Reproduced on print in a 1:1 scale, this fictional “trompe l’oeil” room recalls the ancient horti picti genre, superb frescoes representing viridaria, secret gardens painted on the walls of the Roman villas in the 1st century B.C.


Students at work © IED / ROBOCOOP

© ROBOCOOP

The students sampled multiple urban sounds and noises to create an immersive soundtrack, and made a fictional colonnade by sampling and 3d modeling the Tempio dei Propilei Egizi by Luigi Canina in Villa Borghese, a fascinating example of eclecticism used in the installation as an architectural transition element between the real space and the imaginary tropical garden depicted on the walls.
Conceived as an immersive experience where different students’ disciplines and skills convey, the final installation takes form into the Edulab at MAXXI of Rome and aims at interacting with the human presence in terms of size, scale, and atmosphere.


Workshop © IED / ROBOCOOP


 © ROBOCOOP


Mark